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You’ve come a long way baby…

commodore_64_box

One of the editing suites I’ve been working in lately has a great poster on the wall – it’s a photocopy of a flyer for a local computer store sale around 1992 or so. It’s always great to remind yourself how far technology has come in price alone (A handheld Logitec Scan-Man 256 shade greyscale scanner for $500? What a STEAL). It’s the same reason I keep a couple of carefully selected copies from my old subscriptions to Compute! and PC Gaming & CD-ROM Review around (I love that it split into two magazines so as not to taunt those without CD-ROM drives).

Every once in a while though you get a real tangible example of how far computing has come, and how quickly (I had a realization last year that three or four old-ass pentiums I had kept around for various server grunt-work at home could be collectively replaced (and improved substantially) with one $50 five year old used HP desktop off-lease office system… that also used only a fraction of the electricity of it’s predecessors).

This is all just set up to link to this fun piece from Technologizer, where Harry McCracken compares the venerable Commodore 64 with the new iPhone 3GS. Not a lot of deep insight to be gained – but a couple of good “gee-whiz” moments when looking at specs and a nice trip down technology memory lane.

Lots of network neutrality thoughts likely to come up this week with the big CRTC hearings set to begin July 6th.

Talent Lab 2009 Applications Are Now Available

Talent Lab

Considering there really isn’t a topic for this blog beyond “shameless self-promotion”, you think I’d be better at the promoting.

Toronto International Film Festival Talent Lab 2009 applications have been up for weeks now, and that means you have a hair under three weeks to get them in if you’re an emerging Canadian writer, director, or producer interested in taking part in the 2009 Lab.

Sandra Cunningham and I will be co-producing this program again this year which is a real honour. I legitimately think this is one of the most inspiring developmental programs for film artists in the world, and a truly unique way to tap right into the heart of the creative brilliance that fuels the Toronto International Film Festival every fall. For four intense days the select group of 20 emerging artists will get to participate directly in group discussions with some of the worlds most notable filmmaker talent. It’s an amazing experience, and I know it’s made a real difference in the craft of many of the lab’s former participants.

It hasn’t been as bad as last year, but all the same – could I please ask anyone with questions about the program, or the application process to e-mail talentlab@tiffg.ca, instead of using my contact form? There is a crack Industry Initiatives staff that will be able to answer faster and (more importantly) will ensure no response gets lost in the cracks.

Application forms and support material are due at the TIFF offices by Friday June 26th at 5pm EST.

Dear NBC: YOU’RE DOING IT WRONG.

Who knew there were Google image results for "NBC Fail"?

Who knew there were Google image results for "NBC Fail"?

Seriously NBC? There’s so much non-trivial stuff going on in the world and you’re going to make me comment on this? Fine. Let’s explore the myriad of ways you don’t understand how ratings work.

The Coles notes: Both the Detroit Red Wings and Pittsburgh Penguins have hosted free public “viewing parties” for Stanley Cup games being held out of town (or in the Pen’s case, sometimes for games in-town). This way people can still gather to cheer on their local team when there’s no chance of attending in person. However NBC is putting the kibosh to that, by not allowing either team the rights to rebroadcast their video feed for these public events. This is ostensibly to protect the “value” of their broadcast. Suffice it to say most people think this is idiotic.

NBC – since you’re only a broadcast partner, your broadcast has “value” in only two areas:

  • The perceived value to advertisers
  • The actual value to advertisers

Ratings are only important for the former. You want the highest ratings numbers, not because it conveys a tangible benefit to you, but it makes the perceived value of you advertising slots higher. True, sometimes there are minimum targets or advertisers get their money back, or bonus’ if you reach a threshold… but for the most part there is no difference to you (positive or negative) for minor variances. If we presume that the maximum number of people who would watch a game simultaneously in Detroit and Pittsburgh could maybe top out at 30,000 (filling the Joe, and another 5-8 thousand outside in Pittsburgh – tops – that’s less than 0.03 of a ratings point (currently a single ratings point is around 1.1M viewers). This is not a statistically significant variance to influence the perceived value of your advertising.

One might argue that the real issue is “share” (the total of all TV watchers at a given time tuned to a specific program), especially when broken down by region… but this ignores the second part of the “value” to the network which is actual value to the advertisers. That is to say, the number of eyebals that actually recieve an advertiser’s message.

Although they certainly aren’t sharing this information with us, I have no doubt that the execs at NBC have filing cabinets full of ratios, studies, and formula to estimate how many viewers in a ratings point (or share) are actually exposed to an advertisers message. This lets them court advertisers with comparatives. “Well sure, America’s Got Talent doesn’t have the ratings of Idol… but as you can see our audience averages .5 fridges per household more than Fox’s, so our audience is 68% more likely to not miss your 30 second spot because of a beer run… that makes us a much better value per dollar”. It’s one of the reasons that so many broadcasters are getting back into live sports – viewers are far less likely to PVR/Tivo/VCR/Bittorrent live sports events and watch them later, fast-forwarding through the ads. In horrible ad-speak this is called “appointment viewing”.

In this light, these live parties should be encouraged – as they are demonstrable “appointment viewing”. Ad execs should be doing cartwheels and writing press releases about how they’re delivering an absolutely captive audience to their advertisers. An audience that can’t even change the channel. Those 30,000 aren’t just “potential” exposures to advertising (like most ratings and share are)… they’re “actual” exposures to advertising… and should be considerably more valuable to advertisters.

So congratulations NBC, you’ve taken a “no lose” value proposition (one that – for no effort on your part – is either neutral, or beneficial, to the value of your programming) – and managed to turn it into international ill will and consumer outrage.

And that’s terrible.

[Update – the Detroit Free Press article linked above is now suggesting that the blackout could actually be at the request of the NHL… and if that’s true, that’s absolutely mind-boggling. That’s, like eighty pies worth of mind-boggling.]

Please stop e-mailing me about Archie #600

No. <br />

No.

Dear Internet,

I know you mean well, but you can really stop pummeling me with coverage about “Archie #600”. Even if the developments therein weren’t being covered by every single newspaper in the city… let alone all media , now known or hereinafter devised – I’ve been “Hangin’ with the Riverdale” crew for over twenty years now. I have three different re-prints and collections containing Pep Comics #22, I own the crossover with the Punisher, heck I own Dan DeCarlo’s spicy pin-up collection (not the really spicy one… just the “kind of unnervingly saucy” one). I remember January McAndrews, Jughead’s Diner, and the amazing year-long advertisement that was “Archie’s R/C Racers“. I can generally narrow re-prints down to decade based on the backup features (Katy Keene, Frankie and Me, Lil Jinx, Josie and the Pussycats). I know the name of Sabrina’s uncle. I can’t find a good link to Sabrina’s uncle… but I guess he was on the 90s live-action sit-com as well as the 00’s manga reimaginings… so that’s not as obscure as I’d hoped. Listen Internet I don’t need any lip from you… do you remember when “The New Archies” turned Dilton Doiley into an African-American kid named Eugene and gave him a superfluous sister? No? I do.

My point?

If two decades of a weird hybrid of fandom and “scholarship” have taught me *anything* it’s imaginary stories about “how the love triangle between Archie, Betty, and Veroinca is going to work out” are always…. always really disappointing.

Except when 40-something Jughead does bad late 80s “rap”:

Update: Robot 6 points out that the Archie characters have their own blogs where they post about plot developments… and that Betty’s weekly post is just about the saddest thing on the Internet.

Just in case you’ve been in a cave

What, too subtle?

What, too subtle?

The big IP story in Canada this week has been the Conference Board of Canada publishing a report on the “Digital Economy” which read a lot like propaganda (from the US lobbyist “International Intellectual Property Alliance”, specifically). A little legwork by Michael Geist turned up the fact that it not only looked identical to US lobbyist propaganda, but ill-informed US lobbyist propaganda at that. It also turns out it’s ill-informed US lobbyist propaganda that the Canadian government paid top-dollar for. Lo and behold, it was indeed plagiarized ill-informed, US lobbyist propaganda.

Really this whole thing has been the Michael Geist show… so skip the middle man and enjoy the glorious shadenfreude directly. I don’t always agree with Mr. Geist, but I’ll toast a glass to his efforts tonight.

Snake ‘n Bacon. Snake ‘n Bacon! SNAKE ‘N BACON!

One's tasty crumbled in a salad. The other's a snake. <br /> © Michael Kuppenberg

One's tasty crumbled in a salad. The other's a snake.
© Michael Kuppenberg

Attention U.S. based followers of this blog. Immediately stop what you’re doing and go on over to the AdultSwim website where you can now view the pilot for Snake ‘n Bacon adapted from the many works featuring Michael Kupperman’s celebrity duo.

“But Brad” you ask, “as a Canadian who is blocked from receiving AdultSwim programming, or even the very website you’ve linked to, how can you recommend said pilot sight unseen?” This is a reasonable question. Feel free to assume I am either extremely irresponsible with my reccomendations… or I have… “sources”.

Seriously, while I was a little unsure off the top (I’m one of those purists who doesn’t normally care for Williams Street’s house style when it comes to live-action) the pilot soon barrels headlong into familiar “Tales Designed to Thrizzle” territory with some great sequences and some old Kuppenberg friends come to life. It’s worth the (non existant) price of admission for the stylistic approach to the “Fruit of the Month Club… man” alone.

Unlike most animation adaptations, some aspects of Kupperberg’s style are even vastly improved by the transition to animation, and addition of voicework. While that’s normally a stumbling block for many animation adaptations – segments like “The Head”, or “Bullfrog” are significantly more vibrant with the spot-on vocalizations. Plus, Kupperman appears to have drawn all the animation segments himself – so it never feels like it’s not his work or “off reference”.

Why are you even still reading this? It’s short, great fun, and I can almost guarantee there’s one segment in it you’ll laugh at. You should be over there, clicking “rate this 10” and pressuring AdultSwim to turn this into a series that’s available on DVD so I can legally purchase it.

Come ON it’s got Snake AND Bacon in it. That’s like the “Oceans 11” of zoology and pork!

Unintended consequences of technology

photo by clemson

What exactly are you getting with eBay?
- photo credit: clemson @ flickr

The problem with not blogging in a while (I had the worst flu of my life (in no way pork/swine/H1N1 related)) is the increasing pressure that when you come back you must write something of importance. I have no idea why this is, because if the actual act of blogging has taught me anything it’s that it tends to work best when I just throw things at the wall… (case in point that if my writing on copyright issues was nearly as popular as writing on how to get NHL game radio on iphones, I’d be a “noted media analyst” or something… that’s a metric-based title, right?).

So here’s something trivial – but utterly fascinating (I know this to be true because both times I’ve brought this up in conversation some stranger has butted into the conversation – apologized for overhearing – and asked for more information on specifics). Your mileage may vary.

Forging Ahead is Charles Stanish’s great article for the journal “Archaeology” which details how eBay has actually ruined the market for looted antiquities (and depressed the market for actual antiquities) by flooding the world with forgeries. It’s a fascinating read into how the digital age is having unintended consequences on very, very, disparate industries. Who’d have thought forgeries could protect against looting? Even more interesting is the extrapolations of how the lives of the (often poor, often local) individuals previously driven to antique looting are much improved through forgery instead (the short version is that much more money is kept at the grass roots level in trading in forgeries, as opposed to the comparative high risk and low return of smuggling).

I’ve been thinking about aspects of this a lot lately – not forgery, but unintended industry change brought on by the maturing internet – likely because of the recent (excellent) bi-annual Toronto Comic Art Festival. This is partly because I got the chance to meet a number of creators whom I adore, but whose work is also so “niche” that they likely wouldn’t have had a sustainable audience for their work even a few years ago. It’s also partly because of a chance encounter with someone from the comics field who I’ve never been able to thank properly for completely changing my approach to film (More on that another day).

(I have no idea who to H/T for directing me to the Stanish article – most likely one of those little “niche” publications Wired / Ars / or Slashdot).

Live NHL Radio on the iPhone – Flames / Blackhawks Edition

Go Flames Go!

EDIT – This information is now out of date. Read the comments for information about ootunes – an excellent iPhone app and the most painless way to get a huge assortment of NHL game radio.

Happy Stanely Cup Playoffs hockey fans! By far the most popular thing I have ever written on this blog was this little throwaway post on how to get Calgary Flames game radio via the iPhone. Since traffic to that post remains absurdly high, (and most of the other information on that page is now obsolete) I thought I’d celebrate round one of the playoffs with a succinct version – not just for my hometown Flames – but also our round one nemesis – the Chicago Blackhawks (yes, the same Blackhawks of the great all-star voting ads with the mixed marketing message).

My fake-largess is twofold:

  • I will keep updating this information for every opposition team the Flames face – giving fans of other Western Conference teams a reason to cheer on the Flames.
  • In the (admittedly unlikely) scenario that the Flames manage to overcome a slew of obstacles to get through the first round – I want Blackhawks fans to be able to listen to every. Single. Second.

HOW TO LISTEN TO CALGARY FLAMES (FAN 960) or CHICAGO BLACKHAWKS (WGN 720) GAMES, LIVE, ON YOUR iPhone

  1. Download and install the application FStream (either by clicking this link, or searching for it in the app store).
  2. Start FStream and select “favourites”
  3. click “edit” and then “Add new webradio”
  4. For the “Name” box, enter whatever title you want (GoFlamesGo, Flames Radio, IggyIsBetterThanToews – whatever you want)
  5. For Calgary Flames Radio – enter mms://38.99.208.186/fan960?MSWMExt=.asf in the URL Box (be careful about capitalization and punctuation – they’re important). Then click “save”.
  6. For Chicago Blackhawks Radio – enter http://www.provisioning.streamtheworld.com/pls/WGNAM.pls in the URL Box (be careful about capitalization and punctuation – they’re important). Then click “save”.
  7. You’re done! Click on “play”, and your station should appear on the main screen. Tap it, and your iPhone will connect to and start streaming that station!
  8. Enjoy – and (regardless of rooting interest) have a great playoffs all!

    Footnotes:

    1. If you want FStream to work over 3G click on “More” and set the “Cellular Network” setting to “on” (WARNING: FStream can use a *lot* of bandwidth. I fell asleep with it on one night and pulled over a gig and a half before I noticed, use at your own risk on 3G networks)
    2. FStream should automatically detect and fill in the “Format” and “Bitrate” setting, but if it doesn’t the Flames format is “WMA” and bitrate is “20”, the Blackhawks format is “MP3” and bitrate is “56”
    3. Once you get this up and running on your phone, click this link and send a couple of bucks to j.averous@sourcemac.com – the genius behind FStream, which makes this all possible. Seriously this is major software he’s just giving away. Given that we’ve all spent money on less than stellar apps, support those giving away their hard-work by throwing them some beer money. Knowing the French, he probably doesn’t even like hockey!