About

Brad Fox has been fixated on feature film since he was old enough to sit upright in a cinema, and enraptured with new-media since he struggled to learn enough UNIX to play tic-tac-toe over e-mail in high-school via a VT-100 terminal.

As a producer and production finance coordinator with Toronto-based Strada Films, Brad has had the pleasure of working on high-profile feature film projects with some of Canada’s best-known directors, including Atom Egoyan, Norman Jewison, and Robert Lepage.

As a co-founder and the executive producer of Rocket Ace Moving Pictures, Brad has been at the forefront of some of this countries earliest forays into Internet-based serialized media, including producing the cult podcasts “Dead End Days” and “Cerealized”. RAMP continues to blaze trails including founding The Couchathon, the pre-eminent “locking comedians in a room” charity webathon for Sick Kids Foundation and Child’s Play charities.

A long-time proponent of forward-thinking change to copyright and intellectual property law, Brad has written and spoken on the topic of media rights in the 21st century for venues as disparate as the University of Regina, the St. John’s International Women’s Film Festival, and the OSS legal website Groklaw.net.

A lifelong fan of Comics and other graphic literature, Brad has been hired three times to write on such topics, for various North American magazines, each of which ceased publishing just prior to his first columns publication. Coincidence?

Despite his other accomplishments, the question most asked Brad by strangers is how he became the most well known professional Rock-Paper-Scissors tournament referees in the world, one of only six individuals to hold an “I” class license for the sport. The official answer? “It’s a long story involving a snowstorm.”