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Why the Writers Guild strike may threaten digital rights on-line (or “Defending Mr. Moneybags”).

He's a great guy - honest!

The Explosively Talented Christopher Bird is a great blogger. He not only writes regularly for the Torontoist, but his personal site Mightygodking.com updates regularly, is witty and charming, and covers (almost to a precision decimal place) topics of vital importance to me including Ontario Electoral Reform, lazy writing clichés, and the Legion of Superheroes.

I agree, to an uncanny extent, with most of his viewpoints. Finding a kindred-spirit who is a regular blogger is always truly heartwarming as it makes one feel less lousy about not writing more oneself… I just need to point people in his general direction – takes a lot less effort.

That being said his recent post on the Writers Guild of America strike troubled me as it evokes a general feeling I’ve gotten elsewhere on-line that this is a slam-dunk issue that can be boiled down to:

“This is a battle over corporations earning billions of dollars and unfairly refusing to give those most responsible for the creation of the content which mandates their profits their proper due.”

Succinct. Great copy. But just not true.
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St. John’s in glorious High Definition

Oooh. Powerpoint.

Firstly, thanks to everyone who came out to either of my panels as part of the St. John’s International Women’s Film Festival. It was great to get out of town for a couple of days and I had a great time meeting with you all, and participating in the face-2-face session on Friday.
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Late to the party.

Read it. Live it. Love it.

Hi. Welcome back.

One of the reasons I decided to revitalize this blog was that I missed having an outlet to vent some of my random half-formed theories and gut instincts about the future of new media. I’d been (mostly unbeknown to me) forumalting the seeds of a grand theory about how media audiences are segmenting, how content creation with niche audiences in mind is increasingly important, how audiences will get smaller but choosier… lots of good stuff.

Then of course my birthday rolls around and my brother was kind enough to pick up The Long Tail. Somehow, I managed to completely miss out on this novel at it’s release dispite the fact:

  • I’m a Wired subscriber
  • I was aware of Chris’ writing
  • The cover is a pleasing white
  • He’s pretty much written everything I wanted to say, but backed it up with… research… and math… and stuff

So… go read that instead.

One of the interesting things of the concept of “the long tail” is that it’s a relatively easy concept for the novice to grasp. To whit: when a consumer isn’t limited by scarcity they are more diverse in their consumption choices. This just makes sense. At a corner store I’ll be happy to find “cheese”, at a large grocery story I’ll pick up “fat free mozzarella”, and at a specialty shop I might eventually get “reduced fat Canadian bocconcini.” With an increase in selection, I can narrow down much tighter what actually appeals to my taste.

Why Anderson’s book does an admirable job of showing how these “non-blockbuster” markets are increasingly important to on-line ventures that are not limited by conventional shelf-space (like Amazon, or iTunes) it doesn’t take into account the implication that this is a natural consequence of social interaction as well, and has implications for social networking, viral marketing, and all that other marketing gak that advertisers are, increasingly, excited about.

But, more on that next time.